
Geoffrey Tennant returns to the New Burbage Theatre—the site of his own acting triumph and career-ending meltdown—to assume the artistic directorship after the sudden death of his mentor, Oliver Welles. Believing that theatre is meant to provoke not anesthetize, Geoffrey takes on the suits who want to turn the festival into a theme park, a director who…
Seven years after suffering a mental breakdown during a performance of "Hamlet" at the New Burbage Festival, Geoffrey Tennant is struggling to make ends meet, managing the dilapidated Theatre Sans Argent (Theatre Without Money). Oliver…
Richard find himself overwhelmed trying to keep the festival running smoothly in the wake of Oliver's death. Kate ditches rehearsals to audition for a Corny Smacks commercial, and unwittingly runs into Hollywood action star Jack Crew.…
Geoffrey hands the actual production of Hamlet over to Stage Director Darren Nichols, so that he can devote himself to supervising the Festival's new money-making scheme, the "Shakespeare in Business Seminar". Holly Day spirits Richard…
In jail after his escapade at Ellen's party, Geoffrey is visited by the ghost of his dead mentor Oliver, who cousels him on the danger of trying to ignore his past feelings for Ellen, the woman who once broke his heart. Meanwhile, Holly…
With Geoffrey now directing the production of Hamlet, Richard and Holly fear that his success may doom their plan to redirect corporate resources to the Shakespeare Village. But their attempt to derail the production is foiled by one of…
It's opening day and the play's leading man, in a low ebb of self-esteem, has gone missing. Richard is revealed as a traitor to the company of actors. Ellen reveals to Geoffrey what really happened that night 7 years before. With…

In season two, Geoffrey is now ensconced as artistic director of the New Burbage theatre festival, and must stage the cursed play Macbeth to fulfill the vision of his deceased predecessor Oliver. The lead actor engages in a titanic clash of egos with Geoffrey, while Oliver weighs in from the grave. A financial crisis forces the CEO to engage in some risky…
“Slings & Arrows’” second season revisits the comically dysfunctional New Burbage Theater Festival, under the artistic direction of Geoffrey Tennant (Paul Gross). Tennant’s triumph with “Hamlet” has done nothing to solve the theater’s…
It's Christmas and Ellen, enjoying her re-kindled love with Geoffrey, decides to celebrate in style - but fails miserably. Meanwhile Geoffrey struggles with The Scottish Play, a fact that isn't helped by Anna's discovery of eight boxes'…
The curse of Macbeth seems to work its dark magic on the festival. Geoffrey struggles with Oliver over staging, the guest director for Romeo and Juliet breaks her neck falling off the stage - the only one available to replace her is…
After a big fight with Ellen, Geoffrey has moved into a storage room at the theater. He is still fighting both his actors and Oliver who refuse to accept his ideas for the play. In the meantime, Ellen has to find a way to get her…
Ellen's audit is not going well and she is shocked to hear that a settlement will be forced on her if she can't hand in all of her records on time. Sarah and Patrick, after an 'intense' nighttime rehersal, find themselves in bed…
All's well that ends well, or so it seems at the beginning. Richard, gloomily heads over to the theater only to find that hords of teenagers clog the box office to get tickets for Macbeth. In fact, the show is nearly sold out. He at least…

Season three sees the festival planning to stage King Lear, as well as a contemporary new musical, in an attempt to top the critical and financial success of its last production. But creative director Geoffrey Tennant finds himself seized by fits of uncontrollable weeping—among other, more intimate maladies.
With last season's Macbeth the toast of Broadway, Geoffrey is under pressure to deliver another hit. The play he has chosen is an even greater challenge, King Lear. Terrified to climb this Everest alone, he seeks out his ghostly mentor,…
Richard discovers a kindred spirit in Nigel, the talented young writer of East Hastings. With Nigel's encouragement, and a few tips from Geoffrey, Richard takes on Darren's musical dictatorship.
While Oliver looks on smugly, Andrew forces Geoffrey to confront his feelings about his ghostly nemesis. The bond between Sophie and Paul is weakened by Paul's increasing fascination with Megan and her singing voice.
Ellen gets offered a lead role in a new tv series and Geoffrey is now living with Charles. But on opening night for Lear, Charles goes missing. This causes Richard to step in and take drastic measures, which Geoffrey is against.
Geoffrey and Anna must join forces in order to convince Charles to play Lear. All the tension that has been rising in the actors eventually leads them into a bar brawl.
Thanks to Charles, Lear gets canceled and Geoffrey's future at the festival is in doubt. Also Ellen finally fires Barbara. The end of the series also ends in typical Shakespearean fashion, with a wedding and a song.

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