If he were to choose today between creating under ideological demands or commercial demands, he would again choose the latter possibility. The famous American film director made, despite that, in the communist Czechoslovakia of the…
In 2008, he ended his fifty-year lasting teaching career, even then he didn’t resign from the idea of another film. First film, The Light Penetrates the Darkness (Světlo proniká tmou), he made as a twenty-year young man in 1931 and since…
This 2009 documentary on Juraj Herz features in-depth interviews and copious clips from the director's work. Interview subjects include film-world luminaries Miloš Forman, Věra Chytilová, Miroslav Ondříček, Otakar Vávra, and more.
He has twice been nominated for an Oscar for the camera in movies Ragtime (1981) and Amadeus (1984), in both cases it was a near thing. Yet no one doubts that he is one of the world’s prominent directors of photography. Since the mid-…
Originally a student of architecture, then a draft person, laboratory technician, model, a film extra, script assistant, assistant director, student of FAMU with Otakar Vávra, and, finally a film director with more than half a century of…
One of those whose creativity was for long sacrificed for the work of others. After studying in Paris he began operating in Czechoslovak national film in Bratislava already in 1948. Since the early sixties, he has won recognition as a…
He had encountered film as a fifteen year old boy in Jiří Sequens’ Lead Bread (1953) in which he had a bigger part than the later star actress Jana Brejchová. Today a prominent creator of classic television series begun with bitter probes…
Social issues presented to him, as a film director, always more than an artistic concept, politics meant more to him than poetics. Right after his feature debut School of Fathers (Škola otců, 1957) he established himself at the forefront…
Butch among students of Otakar Vávra, who finally, despite his initial shyness, proved to be much better than others. Before acquiring the post of film director, he played in movies made by his colleagues, getting on a peculiar actor…
Žižkovský flashy and self-taught, who was brought in the cameraman limelight by his immeasurable, exceptional imagination and technical ingenuity. And also courage: in time of Soviet invasion in August 1968 he shot hundreds of feet of…
From the role of partisan Pavel in the Kadár-Klos film Because We Don’t Forget (Smrt si říká Engelchen, 1963), the icon actor of the sixties. Between the years of 1965-1975 a member of the Drama club, a theatre closely connected to the…
Ironic cinematic magician and analyst of our conscious and unconscious lapses and passion. The original puppeteer training Semafor started in their own theater masks and direction participated in the Laterna Magica. Since the midsixties…
Together with Ivan Jandl, the first holder of an Oscar and his classmate, they were interested in film already at the High School. He was growing up in the effervescent literary and theatrical milieu of the Prague bohemian circles of the…
She had always been interested in those who behave differently than others. And she was no different. She studied musicology and aesthetics, and in parallel piano at the conservatory, she wanted to become a pianist, reason, however, led…
He got to FAMU detour through medical studies and he was one from the famous generation of Otakar Vávra. Already at school and then even after finishing school he formed a tandem with screenwriter Pavel Juráček, they shot together, also…
His name evokes music and he is most known as a moderator of television programs about music personages and other celebrities. An author of the literature of the fact, essayist and dramatic, he also dedicates himself from the sixties on…
Enfant terrible of the Czechoslovak New Wave. With his material he had problems already at FAMU, however, just with the first feature film, existentially tormenting Diamonds of the Night (Démanty noci, 1964), he won respect at home and…
He belongs to the first Slovak student at the Prague FAMU. He begun with film directing and his long-term illness redirected him towards screen writing. After return to Slovakia he was a dramatist and assistant film director to Štefan…
Already in 1960 he made his first, TV treatment of Mňačko’s novel Because We Don’t Forget. He spent the next years with the Czechoslovakian Army Film, where he directed unconventional documentaries (for example, the parable on totality…
Already as a student at FAMU, he was sent for »re-education« to a factory. This, however, did not change his demasking and for many irritating attitude to reality. Evidence of this is found in more than one sarcastic view on cheesy and…
From the time of leaving film school FAMU he collaborated mostly with his Slovak compatriots, film directs Elo Havetta (Forecast: Zero /Předpověď: nula/, 1966), Juraj Jakubisko (Crucial Years /Kristove roky/,1967) and Ivan Balaďa (The…
His untamable talent brought him from the East-Slovakian Kojšov to the sunlight of European cinematography. A fierce experimenter with the magic of optics, a cruel and loving illusionist, through his films he got a nickname of the “Slovak…
A filmmaker tied to his homeland in way very few people are, and yet forced by circumstance to become, against his will, a runner through foreign lands. His beginning was in tandem with Karel Kachyňa, and he had liberated himself from the…
Already during his studies at Prague’s FAMU he had captivated by his short films. The befitting title of his first film, Melancholy (Zádumčivost, 1963) captures their tone. A sensitive and individualistic approach to reality led him to…
He began his career as a successful and sought-after stage and film actor, he advanced even to the boards of the National Theatre. After acting at DAMU he have graduated from film directing at FAMU and gained fame with unconventional…
Nomad in his directorial and human destiny. His father, farmer, was expropriated by the communist regime, he himself was repeatedly thrown from studies, finally, after years of studies also thrown from FAMU. He walked along the path of…
No synopsis
No synopsis
No synopsis
No synopsis
No synopsis
No synopsis
No synopsis
No synopsis
No synopsis
No synopsis
No synopsis
No synopsis
No synopsis