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COLLECTION · Movie · 1976

The Innocent

L'innocente

Tullio Hermil is a chauvinist aristocrat who flaunts his mistress to his wife, but when he believes she has been unfaithful he becomes enamored of her again.

Source: TMDB
* 6.9 (125)DramaRomanceFrance · Italy
Soundtrack
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Directors
Luchino Visconti
Countries
France · Italy
Studios
Francoriz Production · Les Films Jacques Leitienne · Imp.Ex.Ci. · Rizzoli Film
Runtime
130 min
Age rating
R(US — 17+)
Release
18/05/1976
Score
6.9 / 10 (125)

Awards and nominations

  • David di Donatello for Best Score - Franco Mannino
  • Turkish Film Critics Association (SIYAD) Awards - Best Foreign Film (2nd Place)
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Free
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Cast
Giancarlo Giannini
Giancarlo Giannini
Tullio Hermil
Laura Antonelli
Laura Antonelli
Giuliana Hermil
Rina Morelli
Rina Morelli
Tullio's Mother
Massimo Girotti
Massimo Girotti
Count Stefano Egano
Didier Haudepin
Didier Haudepin
Federico Hermil
Marie Dubois
Marie Dubois
The Princess
Roberta Paladini
Roberta Paladini
Miss Elviretta
Claude Mann
Claude Mann
The Prince
Marc Porel
Marc Porel
Filippo d'Arborio
Jennifer O'Neill
Jennifer O'Neill
Teresa Raffo
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User reviews
CinemaSerf
★ 6.0 / 10
There can be no doubt that Luchino Visconti was a master at putting together a film with class, style and beauty - and this is no different. A magnificent score from Franco Mannino (with plenty of classical assistance) and some fabulous cinematography from Pasqualiono de Santis breath much life into this - but not enough to compensate for a rather flawed, empty story with three really rather underwhelming performances. Tullio Hermil is "Giancarlo" a rather shallow pig of a man, who is married to Laura Antonelli ("Giuliana") and lives in their grand country palace whilst he constantly parades his glamorous mistress Jennifer O'Neill ("Teresa") for all to see. When he begins to suspect, however, that his wife has been ploughing her own furrow, he begins to get jealous and as with so many in the situation yearns for what he can no longer have. There is a real inevitability about how it will end and although our route to this denouement is bestrewn with gorgeousness and chic, Antonelli constantly reminded me of Anne Bancroft without, regrettably, the sophistication and charm and O'Neill, though certainly beautiful was almost as shallow as her paramour.
TMDB
Keywords
suicidefascismeroticismaristocratillegitimate sonturn of the century
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