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COLLECTION · Movie · 1974

Frightmare

Fifteen years after serving time for committing the most heinous and violent crimes, Dorothy and Edmund Yates are released into the community. Despite Edmund's best efforts, Dorothy's cannibalistic tendencies resurface, leading her to commit more horrifying murders. Meanwhile, their daughters Debbie and Jackie are drawn into their parents' violent orbit, and one of them may have inherited Dorothy's taste for human flesh.

Source: TMDB
* 6.4 (72)HorrorThrillerUnited Kingdom
Soundtrack
YouTubeGoogle
Directors
Pete Walker
Countries
United Kingdom
Studios
Peter Walker (Heritage) Ltd.
Runtime
88 min
Age rating
R(US — 17+)
Release
05/11/1974
Score
6.4 / 10 (72)
Where to watch
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Cast
Rupert Davies
Rupert Davies
Edmund Yates
Sheila Keith
Sheila Keith
Dorothy Yates
Deborah Fairfax
Deborah Fairfax
Jackie Yates
Paul Greenwood
Paul Greenwood
Graham Heller
?
Kim Butcher
Debbie Yates
Leo Genn
Leo Genn
Dr. Lytell
Gerald Flood
Gerald Flood
Matthew Laurence
?
Fiona Curzon
Merle
?
John Yule
Robin
?
Trisha Mortimer
Lillian
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User reviews
John Chard
★ 5.0 / 10
Ghastly, Ghoulish, Grotty & Gory. Frightmare is directed by Pete Walker who also co-writes the screenplay with David McGillivray. It stars Rupert Davies, Shelia Keith, Deborah Fairfax, Paul Greenwood and Kim Butcher. Music is by Stanley Myers and cinematography by Peter Jessop. Edmund and Dorothy Yates are freed after fifteen years in an asylum, committed for despicable crimes, but is Dorothy cured? And what of their daughters? Frightmare is what it is, a British exploitation horror made at a time when it was out to get the best rise out of the audience. As much as Pete Walker’s fans don’t want to believe it, there is no social comment being made, no hidden agenda or attempts to push the boundaries of British horror in visual or thematic achievements. Walker, a very likable and honest man, even says his films are not for deep cranial pondering, he couldn’t believe his luck that he got to throw blood and guts about and got paid for it. Frightmare is a thinly plotted and written picture that serves only to bask in some shock and awe scenes. The ineptitude of the mental health authorities is given a cursory glance, but really the picture plods from one scene to the next waiting for Dorothy to get busy with her tool kit. It’s there, with the wonderfully scary Keith doing her stuff, where Walker excels. Though in today’s desensitised age it’s more fun than frightening, while there’s actually not as much gore on show as you would think. It’s all very basic in truth, but Walker achieved his aims back then, and kudos to him for serving up a truly bleak finale. 5/10
TMDB
Keywords
exploitationdark comedyinsane asylumslashercriminally insaneproto-slasher
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