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COLLECTION · Movie · 1998

Central Station

Central do Brasil

An emotional journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.

Source: TMDB
* 8.1 (1,051)DramaBrazil · France
Soundtrack
YouTubeGoogle
Directors
Walter Salles
Countries
Brazil · France
Studios
MACT Productions · VideoFilmes · RioFilme
Runtime
111 min
Release
03/04/1998
Score
8.1 / 10 (1,051)

Awards and nominations

  • Nominated at 71st Academy Awards — Fernanda Montenegro
  • Nominated at 71st Academy Awards — Brazil
  • Nominated at 56th Golden Globe Awards — Fernanda Montenegro
  • Winner at 56th Golden Globe Awards — Central Station
  • Nominated at 56th Golden Globe Awards — Central Station
  • Winner at São Paulo Association of Art Critics — Central Station
  • Winner at São Paulo Association of Art Critics — Walter Salles
  • Winner at São Paulo Association of Art Critics — Fernanda Montenegro
  • Nominated at São Paulo Association of Art Critics — Fernanda Montenegro
  • Nominated at São Paulo Association of Art Critics — João Emanuel Carneiro and Marcos Bernstein
  • Winner at 48th Berlin International Film Festival — Central Station
  • Winner at 48th Berlin International Film Festival — Fernanda Montenegro
Where to watch
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Cast
Fernanda Montenegro
Fernanda Montenegro
Isadora 'Dora' Teixeira
Vinícius de Oliveira
Vinícius de Oliveira
Josué Fontenele de Paiva
Marília Pêra
Marília Pêra
Irene
Othon Bastos
Othon Bastos
César
Otávio Augusto
Otávio Augusto
Pedrão
Matheus Nachtergaele
Matheus Nachtergaele
Isaías Paiva
Caio Junqueira
Caio Junqueira
Moisés Paiva
Stela Freitas
Stela Freitas
Yolanda
Maria Menezes
Maria Menezes
Waitress
?
Sergio Kato
Dora's Client
Comments

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User reviews
CinemaSerf
★ 7.0 / 10
“Dora” (Fernanda Montenegro) used to be a school teacher, but now she sits at a table in the station in Rio de Janeiro and writes letters for the illiterate traveller for a few réals a time. She thinks little of a woman and her young son who stop by, except perhaps that he isn’t the most trusting of boys, but when a tragedy promptly befalls this pair she finds herself being asked to write another letter by the young “Josué” (Vinícius de Oliviera) - who’s still fairly suspicious that she never posted the last one! This one is to his dad in a remote town but what is he going to do, alone and penniless, in a city fraught with danger? Despite the fact that she is initially as keen to be shot of him as he of her, the two begin a journey that they hope will reunite him with his father, but that will certainly see these reluctant companions push each other’s buttons as their meagre funds barely stretch to the bus fares. If they ever do make it, what chance they will find and reconcile with his dad, or - for that matter - will “Josué” even recognise this man he has yet to meet? I’ve got to say, I’ve rarely seen a more engaging chemistry on screen than that on display here between these two. Montenegro is a natural - not just at portraying her own character but at gelling, convincingly, with an Oliviera whose mischievous urchin becomes an hugely charismatic personality that grows throughout. The road trip element serves to cement their relationship as you might expect, but it also shows us a little of life in Brazil’s fairly poverty-stricken and undeveloped interior as well as the decency of it’s population. This is a story that tells us of a significant episode in the lives of both of them but it’s incomplete and I found that to work really well, especially as it doesn’t contrive to create unnaturally melodramatic or histrionic scenarios. It’s underpinned by some skilfully written dialogue that provides for some characterful humour amidst the earnestness as they each wise up to the other and the all but two hours provides a personable and entertaining love story that’s poignant and really quite charming.
TMDB
Keywords
rio de janeiroletterwildernessteacherorphanrailroadalcoholicmissing parentlong lost relativerealism
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