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COLLECTION · Movie · 2009

Broken Embraces

Los abrazos rotos

Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.

Source: TMDB
* 7.1 (717)DramaRomanceThrillerSpain
Soundtrack
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Directors
Pedro Almodóvar
Countries
Spain
Studios
El Deseo
Runtime
127 min
Age rating
R(US — 17+)
Release
18/03/2009
Score
7.1 / 10 (717)

Awards and nominations

  • Nominated at Cannes Film Festival — Pedro Almodóvar
  • Nominated at Cannes Film Festival — Penélope Cruz
  • Nominated at Cannes Film Festival — Rodrigo Prieto
  • Nominated at Cannes Film Festival — Blanca Portillo
  • Winner at Critics' Choice Movie Awards — Best Foreign Language Film
  • Nominated at Dallas-Fort Worth Film Critics Association Awards — — N/a
  • Nominated at Dallas-Fort Worth Film Critics Association Awards — Penélope Cruz
  • Winner at Dallas-Fort Worth Film Critics Association Awards — Alberto Iglesias
  • Nominated at Dallas-Fort Worth Film Critics Association Awards — Pedro Almodóvar
  • Nominated at Golden Globe Awards — — N/a
  • Nominated at Golden Globe Awards — Penélope Cruz
  • Nominated at Golden Globe Awards — Sonia Grande
Where to watch
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Cast
Penélope Cruz
Penélope Cruz
Lena
Lluís Homar
Lluís Homar
Mateo Blanco / Harry Caine
Blanca Portillo
Blanca Portillo
Judit García
José Luis Gómez
José Luis Gómez
Ernesto Martel
Rubén Ochandiano
Rubén Ochandiano
Ray X
Tamar Novas
Tamar Novas
Diego
Ángela Molina
Ángela Molina
Lena's Mother
Chus Lampreave
Chus Lampreave
Concierge
Kiti Mánver
Kiti Mánver
Madame Mylene
Lola Dueñas
Lola Dueñas
Lip Reader
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User reviews
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badelf
★ 7.0 / 10
Broken Embraces: Almodóvar's Hitchcockian Love Letter to Cinema In "Broken Embraces," Pedro Almodóvar doesn't so much break new ground as he refines the soil he has long cultivated. Following masterworks like "Talk to Her" and "Volver," this film represents not a revolution but an elegant culmination of the Spanish auteur's preoccupations, filtered through a distinctly Hitchcockian lens. The film unfolds as a complex origami of narrative, with time folding back upon itself to reveal the tragic love story between filmmaker Mateo Blanco and his muse Lena. Here, Almodóvar pays homage to Hitchcock's fascination with voyeurism, doomed romance, and the thin line between creation and destruction. The film's noir elements – jealousy, revenge, hidden identities – feel like deliberate nods to the Master of Suspense, yet remain unmistakably Almodóvarian in their execution. At the center of this kaleidoscopic narrative stands Penélope Cruz, delivering a performance of remarkable complexity. As Lena, she exists simultaneously as object and subject, victim and agent of her own destiny. Cruz accomplishes the seemingly impossible task of projecting emotional transparency while maintaining an enigmatic core – we feel we know Lena intimately yet remain haunted by her fundamental unknowability. It's a testament to Cruz's evolution as an actress under Almodóvar's guidance. The meta-cinematic aspects of "Broken Embraces" – the film-within-a-film, the exploration of directorial vision (and its literal loss), the power dynamics of the creative process – create a hall of mirrors where art and life endlessly reflect one another. Almodóvar seems to be commenting on his own relationship with cinema, suggesting that creation itself is a form of obsessive love. Visually, the film showcases Almodóvar's mastery of color symbolism and compositional precision. Each frame feels deliberately constructed, with his signature vibrant palette serving narrative purpose rather than mere aesthetic pleasure. The contrast between the warm, sensual tones of the love affair and the cooler, more austere palette of the aftermath tells its own emotional story. "Broken Embraces" may not represent a dramatic leap forward in Almodóvar's filmography, but it demonstrates something equally valuable: a master filmmaker confidently synthesizing his influences and obsessions into a work of surprising emotional resonance. Like Hitchcock's later films, it feels like the work of an artist less interested in shocking his audience than in revealing the profound mysteries that have always driven his creative vision.
TMDB
Keywords
jealousymadrid, spainobsessionlove
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